<h2 itemprop="headline">Fashion Week : Dunhill rules</h2>

John Ray plays the safety of the heritage of the house.
Dunhill is a house whose history, roots and stylistic heritage synonymous with Britishness and establishment. John Ray, artistic director of the House, does not say the opposite with its proposal for the summer of 2016. On the contrary, he
insists at the first passage on the spirit of tailoring brand, recently strengthened by a new focus on customized offer. They are thus morning suits and other garments, with top hat hat of course, which lead the way: a young look Etoniens, this special race of the British upper class, high Eton to dominate society, the country, the Empire and the world. No doubt, as in (very) light step aside, they wear flowers in their buttonholes are oversized, as if to say "do not be fooled."
Remains after this first assertion, cloakroom deploying conventional consumer

gentleman - the impeccable suit, vest - which gradually turn to relax with a proposal very "Brideshead Revisited". Thus, the eponymous novel by Evelyn Waugh, models fired studied nonchalance when they wear their shorts and shirts and rugby shirts. A aristo-regal nonchalance including John Ray said he found traces in the pictures of the young Charles, Prince of Wales, single period. Oh probably the way these ideals men also another step aside, because with shoes that enrich the offer of the shoe Home - indeed no stranger to the world of motors. In the final, the proposal is classic, good holding and participates in the perpetuation of the traditional image of the House. Rule Britannia so.